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It is the locus of this practice, the institution itself, that is the thing most lacking from Bowman¡¯s analysis. The ivory tower, a solid, if lofty, metaphor for the academy, seems here to have melted into air. The matter of institutional context is absent. That disciplines are textual, that the institutional is textual, is not in doubt. There is, how-ever, a reluctance to read these texts as anything more than published scholarship. The greater fabric of the institution, of the contemporary university, the bodies, the buildings, the stuff ideas inhabit and are inscribed within, appears tangential to Bowman. His few remarks about pedagogy, specifically about teaching cultural studies, are disparaging. He mocks the notion that ¡°teaching can consciously educate others and that these others might somehow ¡®do something¡¯ with the knowledge cultural studies has given them¡± (191).
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It is, however, these others, the student body, who usually end up leaving the ¡°cloistered privacy of academic institutions¡± (125).Bowman is correct to query whether the effects of teaching can be guaranteed, but he appears to underestimate its political potential: the power of the contingent. The things that occur in lectures and seminars can ¡°go unrecognized and are unpredictable in their effects¡± (McQuillan, 53), but this does not mean we should deny their possibility. Post-Marxism versus Cultural Studies teaches the reader many things. The theorization it offers of post-Marxism¡¯s current failings, for instance, is a tour de force. It does not, however, afford enough attention to pedagogy as a textual practice of freedom, as a form of articulation and an act of intervention. It does not start to do justice to teaching.
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The ivory tower, a solid, if lofty, metaphor for the academy, seems here to have melted into air.

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It is the locus of this practice, the institution itself, that is the thing most lacking from Bowman¡¯s analysis. The ivory tower, a solid, if lofty, metaphor for the academy, seems here to have melted into air. The matter of institutional context is absent. That disciplines are textual, that the institutional is textual, is not in doubt. There is, how-ever, a reluctance to read these texts as anything more than published scholarship. The greater fabric of the institution, of the contemporary university, the bodies, the buildings, the stuff ideas inhabit and are inscribed within, appears tangential to Bowman. His few remarks about pedagogy, specifically about teaching cultural studies, are disparaging. He mocks the notion that ¡°teaching can consciously educate others and that these others might somehow ¡®do something¡¯ with the knowledge cultural studies has given them¡± (191).

It is, however, these others, the student body, who usually end up leaving the ¡°cloistered privacy of academic institutions¡± (125).Bowman is correct to query whether the effects of teaching can be guaranteed, but he appears to underestimate its political potential: the power of the contingent. The things that occur in lectures and seminars can ¡°go unrecognized and are unpredictable in their effects¡± (McQuillan, 53), but this does not mean we should deny their possibility. Post-Marxism versus Cultural Studies teaches the reader many things. The theorization it offers of post-Marxism¡¯s current failings, for instance, is a tour de force. It does not, however, afford enough attention to pedagogy as a textual practice of freedom, as a form of articulation and an act of intervention. It does not start to do justice to teaching.
4Â¥2010-12-29 15:46:34
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