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Communications technologies are far from equal when it comes to conveying the truth. The first study to compare honesty across a range of communication media has fund that people are twice as likely to tell lies in phone conversations as they are in emails. The fact that emails are automatically recorded¡ªand can come back to haunt (À§ÈÅ) you¡ªappears to be the key to the finding. Jeff Hancock of Cornell University in Ithaca, New York, asked 30 students to keep a communications diary for a week. In it they noted the number of conversations or email exchanges they had lasting more than 10 minutes, and confessed to how many lies they told. Hancock then worked out the number of lies per conversation for each medium. He found that lies made up 14 per cent of emails, 21 per cent of instant messages, 27 per cent of face-to-face interactions and an astonishing 37 per cent of phone calls. His results to be presented at the conference on human-computer interaction in Vienna, Austria, in April, have surprised psychologists. Some expected emailers to be the biggest liars, reasoning that because deception makes people uncomfortable, the detachment (·ÇÖ±½Ó½Ó´¥) of emailing would make it easier to lie. Others expected people to lie more in face-to-face exchanges because we are most practised at that form of communication. But Hancock says it is also crucial whether a conversation is being recorded and could be reread, and whether it occurs in real time. People appear to be afraid to lie when they know the communication could later be used to hold them to account, he says. This is why fewer lies appear in email than on the phone. People are also more likely to lie in real time¡ªin a instant message or phone call, say¡ªthan if they have time to think of a response, says Hancock. He found many lies are spontaneous (Íѿڶø³öµÄ) responses to an unexpected demand, such as: ¡°Do you like my dress?¡± Hancock hopes his research will help companies work our the best ways for their employees to communicate. For instance, the phone might be the best medium foe sales where employees are encouraged to stretch the truth. But, given his result, work assessment where honesty is a priority, might be best done using email. ×¢Ò⣺´Ë²¿·ÖÊÔÌâÇëÔÚ´ðÌ⿨2ÉÏ×÷´ð¡£ 57. Hancock¡¯s study focuses on ________. A) the consequences of lying in various communications media B) the success of communications technologies in conveying ideas C) people are less likely to lie in instant messages D) people¡¯s honesty levels across a range of communications media£¨D£© 58. Hancock¡¯s research finding surprised those who believed that ________. A) people are less likely to lie in instant messages B) people are unlikely to lie in face-to-face interactions C) people are most likely to lie in email communication D) people are twice as likely to lie in phone conversations£¨A£© 59. According to the passage, why are people more likely to tell the truth through certain media of communication? A) They are afraid of leaving behind traces of their lies. B) They believe that honesty is the best policy. C) They tend to be relaxed when using those media. D) They are most practised at those forms of communication.£¨A£© 60. According to Hancock the telephone is a preferable medium for promoting sales because ________. A) salesmen can talk directly to their customers B) salesmen may feel less restrained to exaggerate C) salesmen can impress customers as being trustworthy D) salesmen may pass on instant messages effectively£¨B£© 61. It can be inferred from the passage that ________. A) honesty should be encouraged in interpersonal communications B) more employers will use emails to communicate with their employees C) suitable media should be chosen for different communication purposes D) email is now the dominant medium of communication within a company£¨C£© Passage Two I don¡¯t ever want to talk about being a woman scientist again. There was a time in my life when people asked constantly for stories about what it¡¯s like to work in a field dominated by men. I was never very good at telling those stories because truthfully I never found them interesting. What I do find interesting is the origin of the universe, the shape of space-time and the nature of black holes. At 19, when I began studying astrophysics, it did not bother me in the least to be the only woman in the classroom. But while earning my Ph.D. at MIT and then as a post-doctor doing space research, the issue started to bother me. My every achievement¡ªjobs, research papers, awards¡ªwas viewed through the lens of gender (ÐÔ±ð) politics. So were my failures. Sometimes, when I was pushed into an argument on left brain versus (Ïà¶ÔÓÚ) right brain, or nature versus nurture (ÅàÓý), I would instantly fight fiercely on my behalf and all womankind. Then one day a few years ago, out of my mouth came a sentence that would eventually become my reply to any and all provocations: I don¡¯t talk about that anymore. It took me 10 years to get back the confidence I had at 19 and to realize that I didn¡¯t want to deal with gender issues. Why should curing sexism be yet another terrible burden on every female scientist? After all, I don¡¯t study sociology or political theory. Today I research and teach at Barnard, a women¡¯s college in New York City. Recently, someone asked me how may of the 45 students in my class were women. You cannot imagine my satisfaction at being able to answer, 45. I know some of my students worry how they will manage their scientific research and a desire for children. And I don¡¯t dismiss those concerns. Still, I don¡¯t tell them ¡°war¡± stories. Instead, I have given them this: the visual of their physics professor heavily pregnant doing physics experiments. And in turn they have given me the image of 45 women driven by a love of science. And that¡¯s a sight worth talking about. 62. Why doesn¡¯t the author want to talk about being a woman scientist again? A) She feels unhappy working in male-dominated fields. B) She is fed up with the issue of gender discrimination. C) She is not good at telling stories of the kind. D) She finds space research more important.£¨B£© 63. From Paragraph 2, we can infer that people would attribute the author¡¯s failures to ________. A) the very fact that she is a woman B) her involvement in gender politics C) her over-confidence as a female astrophysicist D) the burden she bears in a male-dominated society£¨A£© 64. What did the author constantly fight against while doing her Ph.D. and post-doctoral research? A) Lack of confidence in succeeding in space science. B) Unfair accusations from both inside and outside her circle. C) People¡¯s stereotyped attitude toward female scientists. D) Widespread misconceptions about nature and nurtured.£¨C£© 65. Why does the author feel great satisfaction when talking about her class? A) Female students no longer have to bother about gender issues. B) Her students¡¯ performance has brought back her confidence. C) Her female students can do just as well as male students. D) More female students are pursuing science than before.£¨D£© 66. What does the image the author presents to her students suggest? A) Women students needn¡¯t have the concerns of her generation. B) Women have more barriers on their way to academic success. C) Women can balance a career in science and having a family. D) Women now have fewer problems pursuing a science career. Passage Three Questions 57 to 61 are based on the following passage. I¡¯ve been writing for most of my life. The book Writing Without Teachers introduced me to one distinction and one practice that has helped my writing processes tremendously. The distinction is between the creative mind and the critical mind. While you need to employ both to get to a finished result, they cannot work in parallel no matter how much we might like to think so. Trying to criticize writing on the fly is possibly the single greatest barrier to writing that most of us encounter. If you are listening to that 5th grade English teacher correct your grammar while you are trying to capture a fleeting (ÉÔ×ݼ´ÊŵÄ) thought, the thought will die. If you capture the fleeting thought and simply share it with the world in raw form, no one is likely to understand. You must learn to create first and then criticize if you want to make writing the tool for thinking that it is. The practice that can help you past your learned bad habits of trying to edit as you write is what Elbow calls ¡°free writing.¡± In free writing, the objective is to get words down on paper non-stop, usually for 15-20 minutes. No stopping, no going back, no criticizing. The goal is to get the words flowing. As the words begin to flow, the ideas will come from the shadows and let themselves be captured on your notepad or your screen. Now you have raw materials that you can begin to work with using the critical mind that you¡¯ve persuaded to sit on the side and watch quietly. Most likely, you will believe that this will take more time than you actually have and you will end up staring blankly at the pages as the deadline draws near. Instead of staring at a blank start filling it with words no matter how bad. Halfway through you available time, stop and rework your raw writing into something closer to finished product. Move back and forth until you run out of time and the final result will most likely be far better than your current practices. ×¢Ò⣺´Ë²¿·ÖÊÔÌâÇëÔÚ´ðÌ⿨2ÉÏ×÷´ð¡£ 57. When the author says the creative mind and the critical mind ¡°cannot work in parallel¡± (Line 4, Para. 1) in the writing process, he means ________. A) no one can be both creative and critical B) they cannot be regarded as equally important C) they are in constant conflict with each other D) one cannot use them at the same time£¨D£© 58. What prevents people from writing on is ________. A) putting their ideas in raw form B) attempting to edit as they write C) ignoring grammatical soundness D) trying to capture fleeting thoughts£¨B£© 59. What is the chief objective of the first stage of writing? A) To organize one¡¯s thoughts logically. B) To choose an appropriate topic. C) To get one¡¯s ideas down. D) To collect raw materials.£¨C£© 60. One common concern of writers about ¡°free writing¡± is that ________. A) it overstresses the role of the creative mind B) it takes too much time to edit afterwards C) it may bring about too much criticism D) it does not help them to think clearly£¨B£© 61. In what way does the critical mind help the writer in the writing process? A) It refines his writing into better shape. B) It helps him to come up with new ideas. C) It saves the writing time available to him. D) It allows him to sit on the side and observe.£¨A£© [ÒÑËÑË÷ÎÞÖØ¸´] [ Last edited by ruleiwang on 2008-9-8 at 19:44 ] |
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