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[×ÊÔ´] [·ÖÏí£ÝShakespeare¡¯s brain : reading with cognitive theory£ÛÒÑËÑË÷£¬ÎÞÖØ¸´£Ý

This book has grown from roots firmly planted at Boston College. First,
an imperative to teach Shakespeare and more Shakespeare led me to contemplate his brain in the first place, and a sabbatical gave me the time to
begin the project.
AN EARLIER version of chapter 2 was published as ¡°Linguistic Change,
Theatrical Practice, and the Ideologies of Status in As You Like It¡± in
English Literary Renaissance 27 (1997): 361¨C92; an earlier version of
chapter 5 appeared as ¡°Male Pregnancy and Cognitive Permeability in
Measure for Measure,¡± Shakespeare Quarterly 49 (1998): 269¨C92. Both
are reprinted here with permission.

Acknowledgments ix
Introduction
Shakespeare¡¯s Brain: Embodying the Author-Function 3
Chapter 1
No Space Like Home: The Comedy of Errors 36
Chapter 2
Theatrical Practice and the Ideologies of Status
in As You Like It 67
Chapter 3
Twelfth Night: Suitable Suits and the
Cognitive Space Between 94
Chapter 4
Cognitive Hamlet and the Name of Action 116
Chapter 5
Male Pregnancy and Cognitive Permeability
in Measure for Measure 156
Chapter 6
Sound and Space in The Tempest 178
Notes 211
Index 257
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