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This book has grown from roots firmly planted at Boston College. First, an imperative to teach Shakespeare and more Shakespeare led me to contemplate his brain in the first place, and a sabbatical gave me the time to begin the project. AN EARLIER version of chapter 2 was published as “Linguistic Change, Theatrical Practice, and the Ideologies of Status in As You Like It” in English Literary Renaissance 27 (1997): 361–92; an earlier version of chapter 5 appeared as “Male Pregnancy and Cognitive Permeability in Measure for Measure,” Shakespeare Quarterly 49 (1998): 269–92. Both are reprinted here with permission. Acknowledgments ix Introduction Shakespeare’s Brain: Embodying the Author-Function 3 Chapter 1 No Space Like Home: The Comedy of Errors 36 Chapter 2 Theatrical Practice and the Ideologies of Status in As You Like It 67 Chapter 3 Twelfth Night: Suitable Suits and the Cognitive Space Between 94 Chapter 4 Cognitive Hamlet and the Name of Action 116 Chapter 5 Male Pregnancy and Cognitive Permeability in Measure for Measure 156 Chapter 6 Sound and Space in The Tempest 178 Notes 211 Index 257 |
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