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【求助】帮助润色加工英文摘要（中文是文学专业,800字） 已有8人参与
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如题，最好是英语专业的虫子，因为是毕业论文，要求准确翻译，我已经完全翻译，只需修改，根据修改质量散发金币20-30，原则上不作较大改动，特殊情况可商量，也可追加金币，前二十位顶贴的虫友每人一个金币。 时间要求13日晚十二点以前完成，交稿邮箱：ljw_ty@163.com 文件获取地址：http://d.namipan.com/d/bb7a1759d ... 90c00469767007a0000 [ Last edited by 小晨 on 2010-4-12 at 16:56 ] |
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daizhq8244
木虫 (小有名气)
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一下 
7楼2010-04-11 21:16:12
闻筝雪舞
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这是楼主的摘要，请高手修改完善一下
小晨(金币+1): 2010-04-11 17:53
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中文摘要 对沦陷区新文艺小说的研究可以概括为两个大问题，即“言什么”和“如何言”的问题。当然，在言说内容和言说方式的选择背后有其深刻的主客观原因，而对此原因的探讨与分析是研究沦陷区新文艺小说的前提和基础工作。因此，本论文依循上述逻辑主要是从三个方面来构思与写作。 其中，第一章“沦陷区的言说环境与作家创作心态”中，主要探讨分析了沦陷区新文艺小说呈现出独特的文学风貌的原因所在。抗日战争时期，沦陷区处于日本法西斯高压的政治统治和文化统治之下，因此，相比于同时期的国统区和解放区而言，沦陷区作家处于“言”与“不言”两方面的不自由中，言说环境非常险峻。而严峻的言说环境和战争状态下独特的生命体验深刻影响了沦陷区作家的创作心态，进而从根本上决定沦陷区新文艺小说形成了独特的审美追求和创作风格。 第二章“‘文学冻土’上的主题表达”是通过细读文本的方式来分析沦陷区新文艺小说在主题表达上的独特性，其独特性在于表现出一种与40年代抗战救亡的时代主题相疏离的创作风貌。在民族生死危急、全民抗战救亡的历史大环境中，众多新文艺小说作者不约而同地选择了审视、思考并书写沦陷区内平凡人的“日常生活”，以此角度切入来表现并思考沦陷国土上的人们在战争背景下的生存状态、生命体验以及心理人生。 论文的第三章是“日伪高压政策下的艺术追求与表现”，主要论述了沦陷区新文艺小说在艺术追求与表现上与国统区和解放区文学相区别的特点。具体而言有两点：一是在表达主题，尤其是表达一些真实的情感和露骨的思想时，沦陷区新文艺小说中多采用不同的隐喻方式，如重写或改写历史故事、使用喻体或者象征的手法等；二是沦陷区新文艺小说在创作时自觉克服内容和形式上的缺点，满足读者的阅读需求，并呈现出一种新文艺小说与通俗小说在对立中接近的趋向。当然，新文艺小说表现出独特的审美追求与沦陷区特定的政治环境和创作背景是有必然的因果关系。 关键词：沦陷区新文艺小说；独特风貌；主题表达；艺术追求； The study of new literature and art fiction of enemy-occupied areas can be summarized as two major problems, namely, "what to speak" and "how to speak" .Of course, there are deep objective and subjective reasons underlies the content and style of the speech, and the study of new literature and art fiction of enemy-occupied areas based on the investigation, discussion and analysis to these reasons. Therefore, this thesis was to designed and written mainly according to the above-mentioned logic from three aspects. Among them, the first chapter, "The Speaking Environment in the Enemy-occupied Areas and Writers mentality", the reasons why the new literature and art fiction of enemy-occupied areas presenting a unique literary style were mainly investigated, discussed and analyzed. During Anti-Japanese War, compared to the Kuomintang-controlled areas and the liberated areas, enemy-occupied areas were governed by high-handed Japan fascist political rule and cultural domination, thus, writers in these areas faced the dilemma of speaking or not speaking as well as extraordinary tough environment. It is the tough speaking environment and unique experience of life under a state of war that profoundly affected the creative mind of writers in these areas, and then fundamentally determined the forming of the unique aesthetic pursuit and creation of new literature and art fiction of enemy-occupied areas. The second chapter, " The theme expression on 'Literature frozen' " analyzed the unique theme expression of new literature and art fiction of enemy-occupied areas in a way of intensive reading, which shows a alienation of creative style with Theme of the times in forties- fighting the invading army and saving the nation from extinction. In the historical environment, critical to national life and death and national war of resistance for national salvation, many writers of the new literary fiction unanimously chosen to look, think and write the "daily life" of ordinary people in enemy-occupied areas in order to express and think about the living conditions, life experience and mental life of people in the context of war status. In the third chapter, "Puppet artistic pursuit and performance under high-pressure policy ", mainly discusses the different characteristics of artistic pursuit and performance of new literature and art fiction between the enemy-occupied areas and the Kuomintang-controlled areas and the liberated areas. In particular, there are two things: First, the theme expression, particularly the expression of some real emotion and explicit ideas, new literature and art fiction of enemy-occupied areas were usually written using different metaphors such as rewriting or rewrite history stories, and vehicles or symbolic practices, etc; The second is that new literature and art fiction of enemy-occupied areas consciously overcame the shortcomings of content and form to meet the needs of readers, and presented a tendency of closer to popular fiction in the confrontation. Of course, the unique aesthetic pursuit of new literature and art fiction and the political environment and creation background in enemy-occupied areas is a necessary causal relationship. Keywords: New literature and art fiction of enemy-occupied areas; unique style; thematic expression; artistic pursuit; [ Last edited by 闻筝雪舞 on 2010-4-11 at 17:46 ] |
3楼2010-04-11 17:44:43
4楼2010-04-11 19:17:54
liulang827
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5楼2010-04-11 19:44:56
