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The study of new literature and art fiction of enemy-occupied areas can be summarized as two major problems, namely, "what to speak" and "how to speak" .Of course, there are deep objective and subjective reasons underlies the content and style of the speech, and the study of new literature and art fiction of enemy-occupied areas based on the investigation, discussion and analysis to these reasons. Therefore, this thesis was to designed and written mainly according to the above-mentioned logic from three aspects.
Among them, the first chapter, "The Speaking Environment in the Enemy-occupied Areas and Writers mentality", the reasons why the new literature and art fiction of enemy-occupied areas presenting a unique literary style were mainly investigated, discussed and analyzed. During Anti-Japanese War, compared to the Kuomintang-controlled areas and the liberated areas, enemy-occupied areas were governed by high-handed Japan fascist political rule and cultural domination, thus, writers in these areas faced the dilemma of speaking or not speaking as well as extraordinary tough environment. It is the tough speaking environment and unique experience of life under a state of war that profoundly affected the creative mind of writers in these areas, and then fundamentally determined the forming of the unique aesthetic pursuit and creation of new literature and art fiction of enemy-occupied areas.
The second chapter, " The theme expression on 'Literature frozen' " analyzed the unique theme expression of new literature and art fiction of enemy-occupied areas in a way of intensive reading, which shows a alienation of creative style with Theme of the times in forties- fighting the invading army and saving the nation from extinction. In the historical environment, critical to national life and death and national war of resistance for national salvation, many writers of the new literary fiction unanimously chosen to look, think and write the "daily life" of ordinary people in enemy-occupied areas in order to express and think about the living conditions, life experience and mental life of people in the context of war status.
In the third chapter, "Puppet artistic pursuit and performance under high-pressure policy ", mainly discusses the different characteristics of artistic pursuit and performance of new literature and art fiction between the enemy-occupied areas and the Kuomintang-controlled areas and the liberated areas. In particular, there are two things: First, the theme expression, particularly the expression of some real emotion and explicit ideas, new literature and art fiction of enemy-occupied areas were usually written using different metaphors such as rewriting or rewrite history stories, and vehicles or symbolic practices, etc; The second is that new literature and art fiction of enemy-occupied areas consciously overcame the shortcomings of content and form to meet the needs of readers, and presented a tendency of closer to popular fiction in the confrontation. Of course, the unique aesthetic pursuit of new literature and art fiction and the political environment and creation background in enemy-occupied areas is a necessary causal relationship.

Keywords:  New literature and art fiction of enemy-occupied areas;  unique style;  thematic expression;  artistic pursuit;

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