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       The record industry tends to seize upon the latest youthful talent at the expense of older, more expressive artists. The celebrated jazz musicians of the last decade lack the individuality of authentic leaders: in setting craftsmanship as their highest goal, these neophytes resemble second-tier stars of the 1950¡¯s and 1960¡¯s, who made ideal sidemen but whose own recordings invariably lacked the ¡®dark comes¡¯ of character that separate great music from merely good. Whereas critics have historically been cast as guardians of the canon, sternly measuring new work against the timeless standards of the old, musicians now seem most interested in clinging to tradition, while critics chafe at the perceived dearth of fresh, adventurous voices.

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        The passage suggests which of the following about jazz critics today?
¡¡¡¡A They serve as guardians of the jazz canon
¡¡¡¡B They lament a perceived decline in the standards by which jazz is judged
¡¡¡¡C They are troubled by young musicians¡¯ loyalty to traditional jazz
¡¡¡¡D They insist that craftsmanship should be the highest goal of a musician
¡¡¡¡E They tend to favor the latest youthful talent at the expense of older artists

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¡¡¡¡±ÈÈçÕâ¸öÎÊÌ⣬×î¹Ø¼üµÄ²¿·Ö³öÏÖÔÚ×îĩβµÄ²¿·Ö£ºjazz critics today£¬¶øÖ®Ç°µÄThe passage suggests which of the following aboutÔòÊÇÒ»°ãϸ½ÚÎÊÌâµÄ³£ÓÃÌ×»°£¬¿ÉÒÔ˵¶Ô½âÌâûÓÐʲô×÷Ó㬻òÕß˵£¬¿´Óë²»¿´ÊÇûÓÐÊ²Ã´Çø±ðµÄ¡£
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¡¡¡¡¡°Whereas critics have historically been cast as guardians of the canon, sternly measuring new work against the timeless standards of the old, musicians now seem most interested in clinging to tradition, while critics chafe at the perceived dearth of fresh, adventurous voices.¡±

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¡¡¡¡In the context in which it appears, guardians most nearly means
¡¡¡¡A Appraisers
¡¡¡¡B Authors
¡¡¡¡C Fathers
¡¡¡¡D Determinants
¡¡¡¡E Champions

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¡¡¡¡Objectively, of course, the various ecosystems that sustain life on the planet proceed independently of human agency, just as they operated before the hectic ascendancy of Homo sapiens. But it is also true that it is better or worse, been substantially modified by human culture. Nor is this simply the work of the industrial centuries. It has been happening since the days of ancient Mesopotamia. It is coeval with the origin of writing and has occurred throughout our social existence. And it is this irreversibly modified world, from the polar caps to the equatorial forests, that is all the nature we have.

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¡¡¡¡Consider each of the three choices separately and select all that apply. The credited response may be one, two or all three of the choices.

¡¡¡¡It can be inferred from the passage that the author would agree with which of the following statement?
¡¡¡¡A Overtime the impact of human culture on the natural world has been largely benign.
¡¡¡¡B It is a mistake to think that the natural world contains many areas of pristine wilderness.
¡¡¡¡C The only substantial effects that human agency has had on ecosystems have been inadvertent

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¡¡¡¡A Influenced by
¡¡¡¡B Older than
¡¡¡¡C Coincident with
¡¡¡¡D Unimpeded by
¡¡¡¡E Similar to

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¡¡¡¡• Greater emphasis on higher cognitive skills and less dependence on vocabulary
¡¡¡¡• More text-based materials, such as reading passages
¡¡¡¡• A broader selection of reading passages
¡¡¡¡• Emphasis on skills related to graduate work, such as complex reasoning
¡¡¡¡• Expansion of computer-enabled tasks (e.g., clicking on a sentence in a passage to highlight it)
¡¡¡¡• Two 40-minute sections rather than one 30-minute section

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¡¡¡¡Questions 6 through 8 are based on the following reading passage.

¡¡¡¡Music critics have consistently defined James P. Johnson as a great early jazz pianist, originator of the 1920's Harlem "stride" style, and an important blues and jazz composer. In addition, however, Johnson was an innovator in classical music, composing symphonic music that incorporated American, and especially African-American, traditions.

¡¡¡¡Such a blend of musical elements was not entirely new: by 1924 both Milhaud and Gershwin had composed classical works that incorporated elements of jazz. Johnson, a serious musician more experienced than most classical composers with jazz, blues, spirituals, and popular music, was particularly suited to expand Milhaud's and Gershwin's experiments. In 1927 he completed his first large-scale work, the blues- and jazz-inspired Yamekraw, which included borrowings from spirituals and Johnson's own popular songs. Yamekraw, premiered successfully in Carnegie Hall, was a major achievement for Johnson, becoming his most frequently performed extended work. It demonstrated vividly the possibility of assimilating contemporary popular music into the symphonic tradition.

¡¡¡¡±¾Ñ¡ÎÄÄѶȺͷç¸ñ¼¸ºõºÍÏÖÐеÄGREÔĶÁûÓÐÌ«´óÇø±ð¡£Ìâ²ÄÓÖ̸µ½Á˺ÚÈË£¬ÓÈÆäÊǾôÊ¿ÒôÀÖ¡£ÕâÖÖÌâ²ÄÔÚ95£­00±Ê¿¼ÆÚ¼äÒ²¾­³£³öÏÖ¡£°ÑÎÕסÎÄÕÂÊ×¶ÎÖØÒª´Ê»ãhoweverץסÖ÷Ìâ¡£·ÖÇåÎÄÖÐì¶Ü¶ÔÏ󣨴´ÐÂÓ봫ͳ£¬²»Í¬ÒôÀÖ¼Ò¼äµÄÂß¼­ÁªÏµ£©£¬ÎÄÕÂÓ¦¸Ã±È½ÏÈÝÒ×´¦Àí¡£

¡¡¡¡6. The passage states that Johnson composed all of the following EXCEPT

¡¡¡¡A. jazz works ¡¡B. popular songs ¡¡C. symphonic music ¡¡D. spirituals¡¡ E. blues pieces

¡¡¡¡´ËÌâÕýÈ·´ð°¸ÎªD¡£ÎÄÖпªÊ¼Ì¸µ½Johnson×÷Ϊΰ´ó¾ôÊ¿ÒôÀÖ¼Ò£¬ÒòΪÆä´´Ê¼ÁËеķç¸ñ£¬ÆäÖаüÀ¨ÁËblues and jazz¡£¶øÔÚÎÄÕÂÄ©¾äÌáµ½ÁËËûÎüÊÕÁËͬʱ´úµÄpopular musicÒÔ¼°symphonic¡£×¢Òâ¸ÃÌâµÄspiritualsÎÄÖÐȷʵҲ³öÏÖ¹ý£¬µ«ÊÇ´ë´ÇÓõÄÊÇborrow from£¬Ìâ¸ÉÎʵÄÊÇcompose¡£

¡¡¡¡7. Consider each of the choices separately and select all that apply.

¡¡¡¡The author suggests which of the following about most classical composers of the early 1920's?

¡¡¡¡A. They were strongly influenced by the musical experiments of Milhaud and Gershwin.
¡¡¡¡B. They had little working familiarity with such forms of American music as jazz, blues, and popular songs
¡¡¡¡C. They made few attempts to introduce innovations into the classical symphonic tradition

¡¡¡¡±¾Ì⼴ΪÐÂGREÔĶÁÖÐÐÂÔÍÄðÍÆ³öµÄËùν¿Ö²ÀµÄ¡°¶àÑ¡Ì⡱¡£ÆäʵÕâÖÖÌâÐͼ´ÎªÔ­À´GREÔĶÁÖÐÂÞÂíÊý×ÖÌâµÄ±äÌ壬ֻÊÇÄѶȽøÒ»²½¼Ó´ó¡£ÕýÈ·´ð°¸B¡£--They had little working familiarity with such forms of American music as jazz, blues, and popular songs¡£±¾Ìâ´Ó³öÌâµã·ÖÎöÉæ¼°ÎÄÖеıȽϵ㡣×îºóµÄÂß¼­¹ØÏµÓö«·½ÔĶÁÌåϵ±íʾ¿ÉÒÔÊÇ:Johnson£½Milhaud and Gershwin<>most composers¡£ÔËÓÃÈ¡·Ç½âÌâ˼·¡£

¡¡¡¡8. The author suggests that most critics have

¡¡¡¡A. underrated the popularity of Yamekraw
¡¡¡¡B. undervalued Johnson's musical abilities
¡¡¡¡C. had little interest in Johnson's influence on jazz
¡¡¡¡D. had little regard for classical works that incorporate popular music
¡¡¡¡E. neglected Johnson's contribution to classical symphonic music

¡¡¡¡´ËÌâÕýÈ·´ð°¸ÎªE¡£¸ÃÌâÌâ¸ÉÌáµ½µÄcriticsÖ¸Òý¿¼Éú¶¨Î»µ½ÎÄÕÂÊ׶Ρ£¾­¹ýÂß¼­ºÍÌ×·ÊìÁ·ÑµÁ·ºó£¬²»ÄѰÑÎÕMusic critics have consistently defined James P. Johnson as a great early jazz pianist¡­¡­ however, Johnson was an innovator in classical music¡£ÀàËÆÓÚÁ½¸ö¹ÛµãµÄ¶ÔÁ¢£¬Îª½á¹¹ÉÏÖØÒªÄÚÈÝ¡£

¡¡¡¡Questions 9 and 10 are based on the following reading passage.

¡¡¡¡Scholarship on political newspapers and their editors is dominated by the view that as the United States grew, the increasing influence of the press led, ultimately, to the neutral reporting from which we benefit today. Pasley considers this view oversimplified, because neutrality was not a goal of early national newspaper editing, even when editors disingenuously stated that they aimed to tell all sides of a story. Rather, the intensely partisan ideologies represented in newspapers of the early republic led to a clear demarcation between traditional and republican values. The editors responsible for the papers' content ¡ª especially those with republican agendas ¡ª began to see themselves as central figures in the development of political consciousness in the United States.

¡¡¡¡±¾ÎÄΪ·ûºÏÏÖÐÐGRE¿¼ÊÔ²¿·ÖÎÄÕÂÌ×··ÖÀàÖеĹãÒåÐÂÀϹ۵ã¶Ô±ÈÐÍ¡£ÎÄÊ×¹Ûµã˵±¨Ö½×îºóµÄÕþÖÎÈ¡Ïò½«»áÇ÷ÓÚneutral¡£¶øÖ®ºóPasleyÌá³öµÄ¹Ûµã·ñÈÏÁËÕâÖÖ¿´·¨£¨oversimplified£©¡£¾ßÌå´ÓÔçÆÚ¹ú¼Ò±¨Ö½µÄµ³ÅɲîÒìÂÛÖ¤×Ô¼º¹Ûµã¡£ÎÄÕÂÊ×¾ä·ûºÏÒ»¹áGREÔĶÁµÄƷζ£º³¤¶È´ïµ½35´ÊµÄ¸´ÔÓÄѾä×Ó£¬ÎªÀí½âÉϵÄÒ»¸öÄѵ㡣

¡¡¡¡9. Consider each of the choices separately and select all that apply.

¡¡¡¡The passage suggests that Pasley would agree with which of the following statements about the political role of newspapers?

¡¡¡¡A. Newspapers today are in many cases much less neutral in their political reporting than is commonly held by scholars.
¡¡¡¡B. Newspapers in the early United States normally declared quite openly their refusal to tell all sides of most political stories. ¡¡¡¡¡¡¡¡C. The editorial policies of some early United States newspapers became a counterweight to proponents of traditional values.

¡¡¡¡ÈÔÈ»ÊǶàÏîÑ¡ÔñÌ⣬ҪÇó¿¼Éú×ÔÖ÷ÁгöABCÕýÈ·µÄ×éºÏ¡£ÕýÈ·´ð°¸ÎªC¡£AÑ¡Ï¾ß¸ÉÈŶȣ¬ÎÄÊ×̸µ½µÄÒ»ÖÖ±¨Ö½±ä»¯ÄËÊÇÒ»ÖÖδÀ´µÄÇ÷ÊÆ¡£¶øAÏî×ö³öÁËGREÔĶÁÖкÜÃô¸ÐµÄ±È½Ï(than)£¬Ô­ÎÄûÓÐÃ÷È·µÄ¹ØÓÚÏÖÔÚ±¨Ö½µÄ·ç¸ñ±È½Ï¡£BÏîΪÎÄÖÐÈò½²ãÃæÄÚÈÝ£ºeven when editors disingenuously stated that they aimed to tell all sides of a story£¬Ìå»á¸ÃÐðÊö£¬Ó빫¿ªÉùÃ÷µÄ³Ì¶È²»·û¡£CÏîcounterweight½âÊÍΪƽºâÎ±í´ïÁËÎÄÄ©¹ØÓÚһЩ֧³Örepublican±à¼­µÄ̬¶È¡£

¡¡¡¡10. In the context in which it appears, "disingenuously" most nearly means

¡¡¡¡A. insincerely ¡¡B. guilelessly ¡¡C. obliquely ¡¡D. resolutely ¡¡E. pertinaciously

¡¡¡¡´ËÌ⼴ΪÐÂGREÔÚÈ¡Ïû´Ê»ã²¿·Öºó£¬×ö³öµÄÏàÓ¦µ÷Õû¡£°Ñ²¿·Ö´Ê»ã×ªÒÆµ½ÔĶÁ²¿·ÖÀ´¿¼²ì£¬È¡´ú֮ǰµ¥´¿µÄ´ÊÖ®¼äµÄÂß¼­¹ØÏµ£¬ÕâÖÖ×ö·¨Ò²ÊÇÎüÊÕÁËTOEFLÔĶÁ¿¼²ìÖеIJ¿·Ö¾­Ñé¡£disingenuously×÷ΪGREÖØµã´Ê»ã£¬Îªingenuous·´Ò壨ºÍingeniousÐνü£©¡£¼´Ê¹¿¼ÉúÏÖ³¡²»ÈÏʶ¸Ãµ¥´Ê£¬Ò²¿ÉÒÔ´ÓÉÏÏÂÎÄÂß¼­¹ØÏµµÃµ½Ìáʾ¡£Ç°°ë¾äbecause neutrality was not a goal of early national newspaper editing»ù±¾ÒâȺ±í´ï·Çµ¥´¿Ä¿µÄ, ºó°ë¾äeven when editors disingenuously stated that they aimed to tell all sides of a storyÉùÃ÷ÊÂÎñµÄ·½·½ÃæÃæ¡£´ÓÖ®¼äÏà·´¹ØÏµÍÆÀí£¬state¶¯´ÊµÄÐÞÊοÉÒÔËõСµ½ACÑ¡ÏîµÄ·¶Î§¡£¾ä×Ó±¾ÉígoalÓëaimed toΪÉÏÏÂ¾äÆ½ÐнṹµÄ±êÖ¾¡££¨¿¼²ìµÄ¸Ã´ÊÔÚÎÄÖÐÒ²±»¼ÓÁÁ£©

¡¡¡¡Questions 16 through 18 are based on the following reading passage.

¡¡¡¡In Raisin in the Sun, Lorraine Hansberry does not reject integration or the economic and moral promise of the American dream; rather, she remains loyal to this dream while looking, realistically, at its incomplete realization. Once we recognize this dual vision, we can accept the play's ironic nuances as deliberate social commentaries by Hansberry rather than as the "unintentional" irony that Bigsby attributes to the work. Indeed, a curiously persistent refusal to credit Hansberry with a capacity for intentional irony has led some critics to interpret the play's thematic conflicts as mere confusion, contradiction, or eclecticism. Isaacs, for example, cannot easily reconcile Hansberry's intense concern for her race with her ideal of human reconciliation. But the play's complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois's famous, well-considered ideal of ethnic self-awareness coexisting with human unity, or Fanon's emphasis on an ideal internationalism that also accommodates national identities and roles.

¡¡¡¡±ÊÕß·¢ÏÖ±¾Îı¾Éí¾ÍÊÇÏÖÐÐGRE¿¼ÊÔÔĶÁ²¿·ÖÔø¾­¿¼¹ýµÄÕæÌâÎÄÕ£¬È«ÎIJ»×öÒ»×ÖÐ޸ġ£´ÓÕâ¸öÒâÒåÉÏ˵£¬¿¼Éú¶ÔÓÚÐÂGRE²¿·Ö²»Óñ§Èκο־å¸Ð¡£ËùÓÐÏÖÔÚ³ÉÊìµÄѵÁ·ÌåϵºÍÔĶÁ·½·¨ÈÔÈ»ÊÇÓÐЧµÄ£¬±¾ÖÊÉϵÄÔĶÁÎÄÕ·ç¸ñûÓÐÈκα仯¡£

¡¡¡¡16. The author's primary purpose in the passage is to

¡¡¡¡A. explain some critics' refusal to consider Raisin in the Sun a deliberately ironic play
¡¡¡¡B. suggest that ironic nuances ally Raisin in the Sun with Du Bois's and Fanon's writings
¡¡¡¡C. analyze the fundamental dramatic conflicts in Raisin in the Sun
¡¡¡¡D. emphasize the inclusion of contradictory elements in Raisin in the Sun
¡¡¡¡E. affirm the thematic coherence underlying Raisin in the Sun

¡¡¡¡ÕýÈ·´ð°¸E£¬È«ÎÄÂß¼­¹ØÏµÀí½âÓеãÄѶȡ£ÎÄÕÂΪÁË˵Ã÷LHµÄ·í´ÌµÄ²ÅÄÜ£¬¶ø²»Ïñ¶ÔÅúÆÀÒâ¼ûËù˵µÄÄÇÑùsome critics interpret the play's thematic conflicts as mere confusion, contradiction, or eclecticism¡£ËùÒÔÈ«ÎÄÂÛÖ¤×÷ÓÃÉÏÓ¦¸ÃΪaffirm coherence¡£

¡¡¡¡17. The author of the passage would probably consider which of the following judgments to be most similar to the reasoning of the critics described in the highlighted sentence?

¡¡¡¡A. The world is certainly flat; therefore, the person proposing to sail around it is unquestionably foolhardy.
¡¡¡¡B. Radioactivity cannot be directly perceived; therefore, a scientist could not possibly control it in a laboratory.
¡¡¡¡C. The painter of this picture could not intend it to be funny; therefore, its humor must result from a lack of skill.
¡¡¡¡D. Traditional social mores are beneficial to culture; therefore, anyone who deviates from them acts destructively.
¡¡¡¡E. Filmmakers who produce documentaries deal exclusively with facts; therefore, a filmmaker who reinterprets particular events is misleading us.

¡¡¡¡´ËÌâÔÚÔ­À´ÀÏÌâÖÐÒ²Ïàͬ³öÏÖ¡£Î¨Ò»µÄ±ä»¯ÔÚÓÚÀÏÌâ¸ø³ö¾ßÌåÐкŶ¨Î»£¬¶øÐÂGRE½èÖú»ú¿¼ÐÎʽ£¬·½±ã¿¼Éú£¬Ö±½ÓÔÚÔ­ÎÄhighlightËùÐ趨λµÄ¾ä×Ó¡£´ËÌâÑ¡CÑ¡Ïî¡£Âß¼­É϶¼ÊÇȱ·¦ÄÜÁ¦µ¼ÖµĽá¹û¶ø²»ÊǹÊÒâ²úÉúµÄÔ¤ÆÚ½á¹û¡£

¡¡¡¡18. Click on the sentence in the passage in which the author provides examples that reinforce an argument against a critical response cited earlier in the passage.

¡¡¡¡ÕâÖÖеĿ¼ÌâÐÎʽ½«ÔÚÐÂGREÔĶÁÖÐÆÕ±é³öÏÖ£¬±ÊÕß³ÆÆäΪѡÔñ¾ä×ÓÌâ¡£Æäʵ¸ÃÌâÈÔÈ»ÊÇÀÏÌâÔÚ»ú¿¼ÐÎʽÏÂÉÔ×ö¸Ä¶¯¶ø³É£¬ÃâÈ¥ÁË¿¼Éú°´ÕÕA£­EÑ¡ÏîÒÀ´Î¶¨Î»ÎÄÕÂѰÕÒµÄʱ¼ä£¬¶øÖ±½ÓÒªÇó¿¼Éú×ÔÖ÷Ñ¡Ôñ¡£´ð°¸Îª¾ä×ÓBut the play's complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois's famous, well-considered ideal of ethnic self-awareness coexisting with human unity, or Fanon's emphasis on an ideal internationalism that also accommodates national identities and roles.¸ÃÌâÄѶȱÈÔ­Ì⣬ÓÉÓÚÆä¿ª·ÅÐÍ£¬ÓÐÒ»¶¨Ìá¸ß¡£À뿪À´¿¼ÂÇ£»

¡¡¡¡Rain-soaked soil contains less oxygen than does drier soil. The roots of melon plants perform less efficiently under the low-oxygen conditions present in rain-soaked soil. When the efficiency of melon roots is impaired, the roots do not supply sufficient amounts of the proper nutrients for the plants to perform photosynthesis at their usual levels. It follows that melon plants have a lower-than-usual rate of photosynthesis when their roots are in rain-soaked soil. When the photosynthesis of the plants slows, sugar stored in the fruits is drawn off to supply the plants with energy. Therefore, ripe melons harvested after a prolonged period of heavy rain should be less sweet than other ripe melons.
¡¡¡¡
¡¡¡¡19. In the argument given, the two portions in boldface play which of the following roles?

¡¡¡¡A. The first states the conclusion of the argument as a whole; the second provides support for that conclusion.
¡¡¡¡B. The first provides support for the conclusion of the argument as a whole; the second provides evidence that supports an objection to that conclusion.
¡¡¡¡C. The first provides support for an intermediate conclusion that supports a further conclusion stated in the argument; the second states that intermediate conclusion.
¡¡¡¡D. The first serves as an intermediate conclusion that supports a further conclusion stated in the argument; the second states the position that the argument as a whole opposes.
¡¡¡¡E. The first states the position that the argument as a whole opposes; the second supports the conclusion of the argument.

¡¡¡¡´ËÌâÐÎÊ½ÎªÔø¾­±Ê¿¼ÖÐÂß¼­²¿·ÖµÄ¿¼²ìÖØµã£ºÂß¼­µ¥Ì⣬¼´È«ÎĶÔÓ¦ÁËÒ»µÀÉæ¼°Ö±½ÓÂß¼­ÍÆÀíµÄÎÊÌâ¡£´ËÌâÕýÈ·´ð°¸ÎªCÑ¡Ïî¡£Á½¸öºÚÌ岿·Ö¶¼²»ÊÇÖ±½Ó½áÂÛ£¬¶øÊÇÖмäµÄÖ§³ÖÐͽáÂÛ£¨Ç°ÌáºÍÍÆÀí¹ý³Ì£©¡£È«ÎÄÂß¼­£ºoxygen->root efficiency->nutrient for photosynthesis-> sugar reserve-> sweet¡£¶ÔÓÚÕâÖÖÌâÐÍ£¬¿¼Éú¿ÉÄܱȽÏİÉú£¬Âß¼­×÷ÓÃÉϵijéÏóºÍ°ÑÎÕ³ÉΪÐÂGREµÄÌØÉ«¡£

¡¡¡¡For the past two years at FasCorp, there has been a policy to advertise any job opening to current employees and to give no job to an applicant from outside the company if a FasCorp employee applies who is qualified for the job. This policy has been strictly followed, yet even though numerous employees of FasCorp have been qualified for any given entry-level position, some entry-level jobs have been filled with people from outside the company.

¡¡¡¡24. If the information provided is true, which of the following must on the basis of it also be true about FasCorp during the past two years?

¡¡¡¡A. There have been some open jobs for which no qualified FasCorp employee applied.
¡¡¡¡B. Some entry-level job openings have not been advertised to FasCorp employees.
¡¡¡¡C. The total number of employees has increased.
¡¡¡¡D. FasCorp has hired some people for jobs for which they were not qualified.
¡¡¡¡E. All the job openings have been for entry-level jobs.

¡¡¡¡ÈÔÈ»ÊÇÂß¼­µ¥ÌâµÄÀàÐÍ¡£Ô­ÎÄ˵Èç¹ûÔÚF¹«Ë¾ÄÚ²¿ÓÐÈκÎְλ¿Õȱ²¢ÇÒÄÚ²¿Ô±¹¤ÓÐ×ʸñ£¬Ôò¸Ãְλһ¶¨¸øÓèÄÚ²¿Ô±¹¤¡£ÔÚÕâ¸öÌõ¼þÔ¼ÊøÏ£¬½á¹ûÏÖ×´ÊǺܶàÔ±¹¤¶ÔÈκÎentry£­levelְλ¶¼ºÏÊÊ£¬ÈÎÓв¿·ÖÀ´×Ô¹«Ë¾ÍâµÄÔ±¹¤¡£Àí½âÎÄÕ»ù´¡ÉÏ£¬ÎªÁ˽âÊÍÕâЩÐÅÏ¢£¬¿ÉÒÔÍÆ³öÓÐЩְλ¿ÕȱÒòΪûÓкÏÊʵı¾¹«Ë¾ÄÚ²¿Ô±¹¤ÉêÇ룬²Å»áÓÐÍâÈ˳ɹ¦Ó¦Æ¸¡£ËùÒÔ´ð°¸Ñ¡A¡£

¡¡¡¡A tall tree can transport a hundred gallons of water a day from its roots deep underground to the treetop. Is this movement propelled by pulling the water from above or pushing it from below? The pull mechanism has long been favored by most scientists. First proposed in the late 1800's, the theory relies on a property of water not commonly associated with fluids: its tensile strength. Instead of making a clean break, water evaporating from treetops tugs on the remaining water molecules, with that tug extending from molecule to molecule all the way down to the roots. The tree itself does not actually push or pull; all the energy for lifting water comes from the sun's evaporative power.

¡¡¡¡Ì×··Ç³£ÇåÎúµÄ¶ÌÎÄÕ¡£ÎÄÕÂÊ×¾äÉñÃØÏÖÏó¡£ÉèÎÊ¾ä¸ø³öÁ½ÖÖ¿ÉÄܽâÊÍ¡£ÓàÏÂÎÄÕÂÆª·ùÖ÷Òª¼¯ÖÐÔÚÒ»ÖÖ½âÊÍÖ®ÉÏ¡£

¡¡¡¡25. The passage is primarily concerned with

¡¡¡¡A. refuting a hypothesis advanced by scientists
¡¡¡¡B. discussing the importance of a phenomenon
¡¡¡¡C. presenting a possible explanation of a phenomenon
¡¡¡¡D. contrasting two schools of thought
¡¡¡¡E. discussing the origins of a theory

¡¡¡¡Ö÷Ìâд×÷ÊÖ·¨ÌâÐÍ¡£°ÑÎÕסÏÖÏó½âÊÍÐÍÌ×·£¬È«ÎÄ×÷Óü´Îª½âÊÍÏÖÏ󡪡ªCÑ¡Ïî¡£¸ÉÈÅÀ´×ÔDÑ¡ÏȫÎÄËäÈ»ÓÐÁ½ÖÖ¿ÉÄܽâÊÍ£¬µ«Ê¼ÖÕûÓÐÃ÷È·½øÐйý¶Ô±È¡£

¡¡¡¡26. Consider each of the choices separately and select all that apply.

¡¡¡¡Which of the following statements is supported by the passage?

¡¡¡¡A. The pull theory is not universally accepted by scientists.
¡¡¡¡B. The pull theory depends on one of water's physical properties.
¡¡¡¡C. The pull theory originated earlier than did the push theory.

¡¡¡¡¶àÑ¡ÌâÐÍ¡£ÕýÈ·Ñ¡ÏîAB¡£AÏî¶ÔÓ¦ÎÄÕÂThe pull mechanism has long been favored by most scientists£¬Ò²¾Í˵Ã÷ÁËnot universally accepted by scientists¡£BÏîΪÎÄÖÐϸ½Ú£ºË®µÄÕÅÁ¦£¬¸Äд·ûºÏÒ»¹áÑо¿µÄ½âÌâ¾­Ñ飺ÓóéÏóºê¹ÛµÄ´ÊÌæ´úÔ­ÎľßÌåÄÚÈÝ¡£CÏ²ìÁ˹ؼüµÄÍÆÀíÑϽ÷ÐÔ£º¾¡¹ÜÎÄÖÐ˵³¤¾ÃÒÔÀ´pull theory±»ºÜ¶àÈ˽ÓÊÜ£¬µ«Ã»ÓÐÃ÷È·Ìáµ½ÈκÎÁ½ÀíÂÛʱ¼äÏȺó±È½ÏµÄÄÚÈÝ¡£

¡¡¡¡27. The passage provides information on each of the following EXCEPT

¡¡¡¡A. when the pull theory originated
¡¡¡¡B. the amount of water a tall tree can transport
¡¡¡¡C. the significance of water's tensile strength in the pull theory
¡¡¡¡D. the role of the sun in the pull theory
¡¡¡¡E. the mechanism underlying water's tensile strength

¡¡¡¡ÊôÓÚ´«Í³ÉÏGREÔĶÁÖбȽÏÄÑϸ½ÚÌ⣬ÎÞ·¨´ÓÌâ¸É±¾Éí»ñµÃ¶¨Î»Ö÷Ìâ´ÊµÄÐÅÏ¢¡£AÏîÎÄÖжÔӦʱ¼ä1800£¬BÏîËùÌá×îСµ¥Î»¿ÉÄÜÊÇË®·Ö×Ó¡£CÏîÌáµ½µÄtensile strengthΪÀíÂÛÉæ¼°µÄ»ù´¡ÐÔÔ­Àí£¬26ÌâÒѾ­ÓÐËùÉæ¼°¡£DÏî¶ÔÓ¦ÎÄÕÂÄ©¾ä¡£¶øEÑ¡Ïî¶ÔÎÄÖÐÐÅÏ¢×öÁËÍÆ¹ãÑÓÉì¡£ÔÚtensile strength¸üµ×²ãµÄ¾ßÌåÔ­Àí»úÀíÎÄÖÐûÓнøÒ»²½½âÊÍ¡£

¡¡¡¡Producing and using biodiesel, a fuel derived from cultivated rapeseed, causes 35 percent less air pollution per gallon than does producing and using regular diesel fuel. The government plans to reduce diesel-related air pollution over the next decade by 25 percent, so replacing regular diesel with biodiesel would seem to be the obvious solution. Unfortunately, the greatest possible production of biodiesel would amount to only one percent of all diesel fuel to be produced during the next 15 years.

¡¡¡¡28. The passage is structured to lead to which of the following as a conclusion?

¡¡¡¡A. The use of biodiesel will increase by less than one percent over the next 15 years.
¡¡¡¡B. During the next 15 years, the production of biodiesel will be increased as fast as it is possible to increase it.
¡¡¡¡C. During the next 15 years, it will be impossible, just by switching to biodiesel, to meet the government's stated goal with respect to reducing air pollution.
¡¡¡¡D. Fifteen years from now, the air pollution caused by the production and use of one gallon of regular diesel fuel will be far less than it currently is.
E. There will be no significant year-to-year increase in the amount of regular diesel fuel used during the next 15 years.

¡¡¡¡È«Îĸø³öÁ˺ܶàϸ½ÚÐÔµÄÊý×Ö£¬¶ø½âÌâÐèÒª¶ÔÏà¹ØÊý×Ö×ö³ö¼òµ¥ÍÆËã¡£¿ÉÒÔÉèÏÖÔÚÿ¼ÓÂ×´«Í³dieselÓ͵ÄÎÛȾx£¬ÏÖÔÚÒ»ÄêÐèÒªÏûºÄµÄÓÍÁ¿y¼ÓÂס£¼òµ¥¹ÀËãºó£¬²úÁ¿ÑÏÖØÏÞÖÆÁË×îºóbiodiesel×îºó¶Ô¼õÉÙÎÛȾµÄʵ¼Ê×÷Óã¬ËùÒÔÕýÈ·´ð°¸ÎªC¡£AÑ¡Ïî»ìÏýÁ˲úÁ¿ºÍʹÓÃÇé¿ö£»BÑ¡ÏîÓëÔ­ÎÄÄ©¾äÐðÊö²»·û£»DÑ¡Ïî±È½ÏµÄÊÇÒ»¼ÓÂØÏÖÔÚʹÓõÄdieselÓÍÓë15ÄêºóÎÛȾÇé¿ö£»EÑ¡Ïî±È½Ï¾ßÓÐÃÔ»óÐÔ£¬µ«ÊǺËÐÄÖ÷ÌåΪdiesel£¬¶ø²»ÊÇÎÄÖеÄbiodiesel¡£¡¡
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