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  All that city. You just couldn¡¯t see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn¡¯t what I saw that stopped me, Max. It was what I didn¡¯t see. You understand that? What I didn¡¯t see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world...
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Take a piano. The keys begin, the keys end. You know there are eighty-eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.
ÄÃÒ»²¿¸ÖÇÙÀ´Ëµ£¬´ÓÇÙ¼ü¿ªÊ¼£¬ÓÖ½áÊø¡£ÄãÖªµÀ¸ÖÇÙÖ»ÓÐ88¸ö¼ü£¬Ëæ±ãʲôÇÙ¶¼Ã»²î¡£ËüÃDz»ÊÇÎÞÏ޵ġ£Äã²ÅÊÇÎÞÏ޵ģ¬ÔÚÇÙ¼üÉÏÖÆ×÷³öµÄÒôÀÖÊÇÎÞÏ޵ġ£ÎÒϲ»¶ÕâÑù£¬ÎÒ»îµÄ¹ß¡£
You get me up on that gangway and you¡¯re rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that¡¯s the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You¡¯re sitting on the wrong bench. That¡¯s God¡¯s piano.
Äã°ÑÎÒÍÆµ½ÏÏÌÝÉÏÈ»ºóÈÓ¸øÎÒÒ»¼ÜÓаÙÍòÇÙ¼üµÄ¸ÖÇÙ£¬°ÙÍòǧÍòµÄûÓо¡Í·µÄÇÙ¼ü£¬ÄÇÊÇÊÂʵ£¬max£¬ËüÃÇûÓо¡Í·¡£ÄǼüÅÌÊÇÎÞÏÞÑÓÉìµÄ¡£È»¶øÈç¹ûÇÙ¼üÊÇÎÞÏ޵ģ¬ÄÇôÔÚÄǼÜÇÙÉϾÍûÓÐÄãÄܵ¯×àµÄÒôÀÖ£¬Äã×ø´íÁ˵ط½£¬ÄÇÊÇÉϵ۵ĸÖÇÙ.
Christ! Did, did you see the streets? Just the streets¡­ There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...
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All that world is weighing down on me, you don¡¯t even know where it comes to an end, and aren¡¯t you ever just scared of breaking apart at the thought of it? The enormity of living it?
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I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.
ÎÒÊÇÔÚÕâËÒ´¬ÉϳöÉúµÄ£¬Õû¸öÊÀ½ç¸úÎÒ²¢¼ç¶øÐУ¬µ«ÊÇ£¬ÐÐ×ßÒ»´ÎֻЯ´øÁ½Ç§ÈË¡£ÕâÀïÒ²ÓÐÓûÍû£¬µ«²»»áÐéÍýµ½³¬³ö´¬Í·ºÍ´¬Î²¡£ÄãÓøÖÇÙ±í´ïÄãµÄ¿ìÀÖ£¬µ«Òô·û²»ÊÇÎÞÏ޵ġ£ÎÒÒѾ­Ï°¹ßÕâôÉú»î¡£
Land? Land is a ship too big for me. It¡¯s a woman too beautiful; it¡¯s a voyage too long, a perfume too strong. It¡¯s a music I don¡¯t know how to make. I could never get off this ship. At best, I can step off my life. After all, I don¡¯t exist for anyone. You¡¯re an exception, Max, you¡¯re the only one who knows I¡¯m here. You¡¯re a minority, and you better get used to it. Forgive me, my friend, but I¡¯m not getting off.
½µØ£¿Â½µØ¶ÔÎÒÀ´ËµÊÇÒ»ËÒÌ«´óµÄ´¬£¬Ò»¸ö̫ƯÁÁµÄÅ®ÈË£¬Ò»¶ÎÌ«³¤µÄÂÃÐУ¬Ò»Æ¿Ì«´Ì±ÇµÄÏãË®£¬Ò»ÖÖÎÒ²»»á´´×÷µÄÒôÀÖ¡£ÎÒÓÀÔ¶ÎÞ·¨·ÅÆúÕâËÒ´¬£¬²»¹ýÐҺã¬ÎÒ¿ÉÒÔ·ÅÆúÎÒµÄÉúÃü¡£·´ÕýûÈ˼ǵÃÎÒ´æÔÚ¹ý£¬¶øÄãÊÇÀýÍ⣬max£¬ÄãÊÇΨһһ¸öÖªµÀÎÒÔÚÕâÀïµÄÈË¡£ÄãÊÇΨһһ¸ö£¬¶øÇÒÄã×îºÃϰ¹ßÈç´Ë¡£Ô­ÁÂÎÒ£¬ÅóÓÑ£¬ÎÒ²»»áÏ´¬µÄ¡£
This is the way the world ends
Not with a bang but a whimper
¡ª¡ªT¡¤S¡¤Eliot



Ô­ÎÄ£º
Moonlight city. You just couldn¡¯t see an end to it.
It wasn¡¯t what I saw that stopped me ,Max.
It was what I didn't see.

Take the piano.
Keys begin. Keys end.
You know there are 88 of them.
They¡¯re not infinite. You¡¯re infinite.
And on those keys, the music that you can make is infinite.
I like that. That I can live by.

But you get me up on that gangway, and you roll them out
in front of me.
Keyboards have millions and billions of keys that never end.
That keyboard is infinite.
Then on that keyboard there¡¯s no music you can play.
That¡¯s God¡¯s piano.

Did you see the streets?
There¡¯re thousands of them.
How do you choose just one?
One woman, one house, one way to die¡­¡­.
You don¡¯t even know where it comes to an end.
Aren¡¯t you ever just scared of breaking apart with the
thought of it?

I was born on this ship.
And the world passed me by.
But 2000 people at a time and there¡¯re old wishes here .
But nevermore that fit between prow and stern..
You played out your happiness bit on a piano that was not
infinite.
I learned to live that way.

Land?
Land is a ship too big for me,
It¡¯s a woman too beautiful, a bridge too long,
perfume to strong, music I don¡¯t know how to play.
I can never get off this ship.
At best, I didn¡¯t step off my life.
After all, I don¡¯t exist for anyone.

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