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50金币求助，中文翻译成英文[文艺美学方面]
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第三章到第六章采取先叙后评的方式对吴昌硕的绘画美学思想进行研究。吴昌硕绘画美学思想的内容共有四个方面：以气作画、引书入画、创新观和雅俗观。以气作画是吴昌硕绘画美学思想中最为重要的方面，也是对其它绘画美学思想起着主导作用的方面。吴昌硕以气作画的美学思想与徐渭、石涛等大写意画家的绘画主张是一致的，不过他所抒发的“气”不是画家内心的情思和感兴，而是绘画笔墨自身的力度和张力。他对笔墨自身表现力的注重与他绘画美学思想的第二个方面是紧密相关的，即引书入画。吴昌硕的绘画成就得益于他早年颇有深厚功底的石鼓文书法和篆刻艺术，因而金石气的笔法笔意自然融入他的绘画之中。他那饱含金石气的绘画所取的独树一帜的风格，为画界普遍肯定和赞誉。而他这一绘画风格又与他的创新思想有着内在的联系，因为文人画本是“从于心者也”（石涛《画语录》），是独抒性灵和感兴的。而在绘画已被类型化和大众化的吴昌硕这里，创新只能从绘画风格拓开出路。吴昌硕在绘画市场化的海上画坛鬻画为生，他顺应时势创作趋时务新的绘画，但他的内心深处仍把持着儒家为核心的文化观念，他将文人高洁的志向和虚静的情怀与趋时务新的绘画要求有机结合起来，其绘画在世俗性的表现图式下蕴涵着古雅的审美趣味。 因明天出差。20号回来后给金币。 [ Last edited by maomao0223 on 2008-3-10 at 12:06 ] |
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dendrimer507
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4楼2008-03-19 08:50:32
dendrimer507
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maomao0223(金币+15,VIP+0):谢谢
风风1号(金币-15,VIP+0):按楼主要求转移金币~
风风1号(金币-15,VIP+0):按楼主要求转移金币~
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2楼2008-03-16 22:07:53
xhzyyangyang
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★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★
maomao0223(金币+15,VIP+0):谢谢
风风1号(金币+15,VIP+0):按楼主要求转移金币~
maomao0223(金币+15,VIP+0):谢谢
风风1号(金币+15,VIP+0):按楼主要求转移金币~
Adopts narrates first comments conducts the research the third chapter the way which after the sixth chapter to Wu Changshuo's drawing esthetics thought. The Wu Changshuo drawing esthetics thought's content altogether has four aspects: Was mad that does painting, directs the book to be picturesque, innovation view and elegant vulgar view. Was mad that does painting is in the Wu Changshuo drawing esthetics thought the most important aspect, is also is having the leading role aspect to other drawing esthetics thought. Wu Changshuo was mad does painting esthetics thought and Xu Wei, Shi Tao and so on greatly enjoyable painter's drawing position is consistent, but he expresses “the gas” is not the painter innermost feelings emotions and the inspiration, but is drawing words own dynamics and the tensity. He to words own expressive force's attention with his drawing esthetics thought's second aspect is close related, namely directs the book to be picturesque. Wu Changshuo's drawing achievement benefitted from him quite had the deep foundation of basic skills stone drum inscriptions calligraphy and seal cutting art long ago, thus the inscription on stone tablet and bronze was mad the writing technique conception integrated in naturally his drawing. His that is full of the style which the inscription on stone tablet and bronze to be mad the drawing which takes establishes a new school, to mark off the universal affirmation and the praise. But his this drawing style also has intrinsic contacting with his innovation thought that because the painting originally is “from Yu Xinzhe also” (Shi Tao "Picture Collected sayings" , is expresses the soul and the inspiration alone. But in the drawing already by the typological and popular Wu Changshuo here, the innovation can only develop from the drawing style starts out the road. Wu Changshuo to live in the drawing marketability's marine painting world yu picture, he complies with the current situation creation to hasten the current affairs new drawing, but his heart of hearts was still dominating the Confucianist for the core cultural idea, he with hastens the writer noble and pure ambition and the empty static mood the current affairs new drawing request organic synthesis, its drawing is containing the classically elegant esthetic interest under the secular performance scheme.这个不是我翻译的，是我花“重金”找别人翻译的，此人在很多英语论坛上帮过很多人翻译资料，英语水平很高。 [ Last edited by xhzyyangyang on 2008-3-19 at 09:50 ] |
3楼2008-03-19 08:22:22
crocodile
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5楼2008-03-19 11:16:12
