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First and foremost, to my friend and editor, Jason Kaufman, for working so hard on thisproject and for truly understanding what this book is all about. And to the incomparable HeideLange- tireless champion of The Da Vinci Code, agent extraordinaire, and trusted friend

I cannot fully express my gratitude to the exceptional team at Doubleday, for theirgenerosity, faith, and superb guidance. Thank you especially to Bill Thomas and Steve Rubin,who believed in this book from the start. My thanks also to the initial core of early in-housesupporters, headed by Michael Palgon, Suzanne Herz, Janelle Moburg, Jackie Everly, andAdrienne Sparks, as well as to the talented people of Doubleday's sales force

For their generous assistance in the research of the book, I would like to acknowledge theLouvre Museum, the French Ministry of Culture, Project Gutenberg, Biblioth¨¨que Nationale, theGnostic Society Library, the Department of Paintings Study and Documentation Service at theLouvre, Catholic World News, Royal Observatory Greenwich, London Record Society, theMuniment Collection at Westminster Abbey, John Pike and the Federation of AmericanScientists, and the five members of Opus Dei (three active, two former) who recounted theirstories, both positive and negative, regarding their experiences inside Opus Dei

My gratitude also to Water Street Bookstore for tracking down so many of my researchbooks, my father Richard Brown- mathematics teacher and author- for his assistance with theDivine Proportion and the Fibonacci Sequence, Stan Planton, Sylvie Baudeloque, PeterMcGuigan, Francis McInerney, Margie Wachtel, Andr¨¦ Vernet, Ken Kelleher at AnchorballWeb Media, Cara Sottak, Karyn Popham, Esther Sung, Miriam Abramowitz, William Tunstall-Pedoe, and Griffin Wooden Brown

And finally, in a novel drawing so heavily on the sacred feminine, I would be remiss if I didnot mention the two extraordinary women who have touched my life. First, my mother, ConnieBrown- fellow scribe, nurturer, musician, and role model. And my wife, Blythe- art historianpainter, front-line editor, and without a doubt the most astonishingly talented woman I have everknown


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